We All Need to Eat

Alex Leslie

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This is a short story collection centred around a single character. Therefore, I wouldn’t hesitate to accept this as a novel if it had been published as such.

Soma is a character who’s been scarred in many ways by the hardships in her life: an abusive and eventually absent mother, the loss of a close friend to suicide, a break-up with someone who seemed not to respect her Jewish heritage. I appreciated the layers of character detail in this book, like Soma’s proficiency at cooking. It’s a skill she’s proud of, but at the same time, it’s a constant reminder that she had to learn how to feed herself because her mother was gone, and she had to take on the responsibility at a younger age than the average person.

The centrepiece of the book for me is the story titled “Who You Start With Is Who You Finish With,” which threads together Soma’s life and her grandmother Charna’s youth in wartime. The grandmother suffered the horror of watching the Holocaust unfold over the Atlantic, as well as the pain of being shunned by the Jewish community for marrying outside of her religion. Her cultural identity was under attack in two ways, and so when we see Soma’s efforts to celebrate her grandmother with traditional prayer, it feels like a happy ending for Charna, in a way.

There are a couple of stories in the collection which are more experimental and surreal, almost like poetry. It’s not really my thing, but your mileage may vary.

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Emma Stone is iconic in this: bizarre costumes, spastic dancing, robotic walking, and especially dialogue. I love it when language is written in an off-kilter but still understandable way (see George Saunders, Milkman), and Stone’s delivery of her lines is delightful, especially when speaking bluntly about sexual matters. Which, by the way, maybe there are too many sex scenes… I don’t mean that in a prudish way, just that it gets a bit repetitive after a while.

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Humankind: A Hopeful History

Rutger Bregman

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Humankind by Rutger Bregman is a book that attempts to overturn the prevailing view that people are inherently selfish and malevolent. From the oft-referenced stories of the Stanford Prison Experiment and Kitty Genovese, to the everyday news, we hear a lot about the sins of humankind. Bregman dismantles these stories, arguing that they only preserve existing power and economic structures. Instead, he aims to show that we’re motivated by kindness towards others.

The book is a breezy read, filled with snappy anecdotes and factoids. It worked on me: at the beginning, I read with skepticism, trying to poke holes in his arguments; but by the end, I found everything he was saying to be obvious. Run a school without classes and lesson plans, because the students will naturally find their own path to learning? Of course! Run a prison without cells, and where the guards play games and sing songs with the inmates? Sounds like a great idea!

It was as if the book had created a new intuition in me: take everything that is considered conventional in modern society, and do the opposite.

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Is this a trilogy or are they making more of these?

I didn’t expect to like these much, as their reputation is not great, but I had a good time. I’ve not read much Agatha Christie, but she’s legendary for a reason. I think the source material is strong enough to save these movies from their filmmaking flaws.

People seem to dunk on Death on the Nile in particular, but it was actually my favourite. The character relationships have real emotional weight, especially because one of the victims is personally connected to Poirot.

Murder on the Orient Express, on the other hand, has too many characters to connect together. It probably works way better in book form. But what a stacked cast!

A Haunting in Venice is effectively creepy. It seems that Brannagh was trying to be creative with all the wide-angle lenses and weird camera angles. I say, go for it, Kenny! It worked for Thor, remember that?

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Milkman

Anna Burns

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In terms of subject matter, Milkman is like the song “Zombie” in book form. There are bombs and bombs and guns. But where the Cranberries’ song is filled with anger, Anna Burns uses a more delicate touch.

The unnamed protagonist is a young woman who is being pestered “the milkman,” who is romantically interested in her and also happens to be a member of a paramilitary organization. The stalking alone makes for anxious reading, but the real tragedy is that she has nobody to turn to. Because they live in basically a warzone, the entire community is in a constant state of mistrust and paranoia, and her personal struggles are only seen in the context of which side of the political conflict she may or may not be on.

Despite the dark story, the writing style is quirky and playful, in a way that reminds of a bit of George Saunders. There’s a lot of absurdist humour, like how the parents of the protaganist’s “maybe-boyfriend” have abandoned their family to become internationally famous ballroom dancers. I enjoyed this read, even if it does feel little bit repetitive and long-winded at times.

storygraph link

This year, I’ve decided to try something new: sending a newsletter to my family and friends. My messages will be archived on this blog as well.


Hello! It’s me, Albert. I hope you’ve had a restful and lovely holiday season.

You might be wondering what this message is all about. Well, I’ve decided to try start writing a newsletter. Don’t worry, I’m not trying to sell anything. This is simply an attempt on my part to be more in touch with the people in my life who are meaningful to me.

Maybe you’re someone who I haven’t seen or spoken to in a while, or maybe you’re someone that I hang out with regularly. In either case, if you know me, you probably know that I tend to keep to myself. That Albert, he’s a tough nut to crack, you might say. A real closed book, that guy.

This newsletter is my way of opening the book just a little bit.

Why a newsletter?

I got this idea after listening to a podcast1 where they were discussing the (declining) state of social media.

It made me think back to when Facebook first became a thing. I remember thinking: My social life will improve immediately! They’ve solved the problem of friendship!

Maybe I’ve had some fun interactions on Facebook over the years, but nowadays, using social media no longer feels like you’re connecting with people. So I’m thinking, maybe good ol’ fashioned e-mail, away from the ads and the algorithms, can help me keep in touch.

If your inbox is already too full, I apologize for the intrusion. I won’t be mad if you unsubscribe. But more importantly, if you have any thoughts or questions for me, or just want to say hi, hit the Reply button and send me a note. I’d love to hear from you.

The Actual “Content”

This newsletter is still an experiment, so I’m not sure what I’ll be writing about. I’ll keep this first one short, and just share some pictures from our holiday season.

What next?

If I never send out another one of these, then I guess you can add it to the pile of failed New Year’s Resolutions. But I would really like to do this again, so here are some potential topics that you might see from me in the future:

  • Our trip to Hong Kong and Japan this summer. I’ve been meaning to share my pictures, and was writing some code to show them in a cool slideshow on my website. I will try to get it done!
  • What I do as a self-employed software developer.
  • Anything else that comes to mind…

The thing that will encourage me the most to keep going with this newsletter is if I hear back from you. So, go ahead, hit Reply, and tell me how you’re doing!

Happy new year!

Footnotes

  1. An interview with journalist Ezra Klein on the Search Engine podcast

On the one hand, there’s a surprising amount of emotional and political depth here, to make the monster action scenes more impactful. The film doesn’t shy away from criticizing the idea of honourable sacrifice, which as I understand it, is deeply ingrained in Japanese culture, and gives us things like sepukku and kamikaze.

On the other hand, my enjoyment was dampened a bit by the acting style, which leans towards the melodramatic. There’s also a toddler who, when she cries, seems to have been dubbed over with the sound of an infant crying.

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I got some disappointing personal news just before Christmas which, paired with the free time that the holidays bring, meant that I was looking for some cinematic comfort food to pass the days. The MCU has been pretty weak since the end of “Phase 3”1, and I had not revisited these last two Avengers entries since Endgame came out in 2019.

I was just as impressed as I was when I first saw them: it’s like watching the finale of a long-running TV series. Endgame especially rewards the loyal viewer with bittersweet character moments.

File these away to revisit again every few years…

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Footnotes

  1. More specifically, since they tried to diversify into streaming TV series, which in hindsight really had a diluting effect on the quality of the stories.

Biopics work best for me when I know nothing about their subject. Such was the case for The Iron Claw, which tells the story of the Von Erich family of pro wrestlers. The film is well-directed and well-acted, and I was sucked into wanting to know what happens next. The amount of tragedy that the family endured is almost unbelievable. However, I have to say that it left little emotional impact on me. I should have been bawling throughout the film, but I wasn’t.

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Sort Of

We just finished watching the three seasons of this Toronto-based show about a gender-fluid person. The show started off more as a comedy in its first season, and I felt that it shifted more towards drama as it progressed. I respect the show for not giving into the temptation to follow the typical rom-com happy-ending route. The main character Sabi is defined by their feelings of not knowing where they belong, and I think it’s fair to say that they’re not ready at this stage in their life to be in a long-term relationship.

The plotting maybe relied a bit too much on big shocking events, and didn’t give the characters enough time to process them before moving onto the next twist. You could say that it’s true to life, but I would have liked to see more falling action to balance out the escalations. Still, the show is a valuable lesson in empathy for people who are different.

Albert

About Me

Hi! Albert here. Canadian. Chinese.

Writing software since 2001. “Blogging” since 2004. Reading since forever.

You can find me on socials with the links below, or contact me here.