Anora
A movie that I admire and respect more than I enjoy. It’s always nice to see an independent film receive such high accolades, including the Best Picture Oscar of 2024. I really don’t have any criticisms with it, and I think cast and crew did a great job.
It’s more a case of the film not matching my vibe, or maybe vice versa, that I didn’t have the right energy to fully enjoy the viewing experience. The first act, wherein Ani and Vanya have a whirlwind romance, is like watching a series of the most fun parties you’ve ever been to. As an introvert, though, no matter how great a party is, I’m still going to want to leave.
Once the conflict kicks in, and the adults who oversee Vanya’s life threaten to break the couple apart, the movie becomes a frantic comedy of errors. Characters are almost always yelling at each other. It’s funny, in a Curb Your Enthusiasm kind of way, but unlike that show, it’s turned up to 11 for a pretty big chunk of the movie. Larry David at least knew how to mix up the rhythm so that not every scene is a shouting match.
The final chapter of the movie was my favourite: it slows down and gives us a few reflective one-on-one moments between Ani and Igor, one of the “thugs” sent to enforce Vanya’s parents’ wishes. I would have liked the film a lot less if it didn’t have this epilogue, which makes the characters—and we, the viewers—think about everything that just happened, and what it all meant.
